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His argument unfolds over five case studies and spans four centuries: the architecture and artworks that glorified Louis XIV at Versailles in the seventeenth century, the interaction of libretto and music in Richard Wagners Ring of the Nibelung, Claude Monets enormous and resplendent paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Brittens War Requiem for the consecration of the new Anglican cathedral at Coventry, and Robert Wilsons recent installation based on the Passion, 14 Stations.--BOOK JACKET.
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