Robison has a poets eye for the unconscious surrealism of commercial America. --The New York Times Book Review Tell Me reflects the early brilliance as well as the fulfilled promise of Mary Robisons literary career. In these stories--most of which appeared in The New Yorker throughout the eighties--we enter her sly world of plotters, absconders, ponderers, and pontificators. Robisons characters have chips on their shoulders; they talk back to us in language that is edgy and nervy; they say all right and okay often, not because they consent, but because nothing counts. Still, there are small victories here, small only because, as Robison precisely documents, larger victories are impossible. Here then, among others, is Pretty Ice, chosen by Richard Ford for The Granta Book of American Short Stories, Coach, chosen for Best American Short Stories, I Get By, an O. Henry Prize Stories selection, and Happy Boy, Allen, a Pushcart Prize Stories selection. These stories--sharp, cool, and astringently funny--confirm Mary Robisons place as one of our most original writers and led Richard Yates to comment, Robison writes like an avenging angel, and I think she may be a genius. Mary Robisons short stories are short, subtle, and substantial... her ironic sense of detail bursts from every sentence. --Vogue Word for fucking word, her work demands our attention. --David Leavitt, The Village VoiceAbout the Author:MARY ROBISON was born in Washington, D.C. She graduated from Johns Hopkins, where she studied with John Barth. She is the recipient of a Guggenheim Fellowship, two Pushcart Prizes, an O. Henry Award, and the Los Angeles Times Book Prize for Fiction. She is the author of four novels, Oh! (1981), Subtraction (1991), Why Did I Ever (2001), and One D.O.A., one on the way (2009), and of three other story collections, Days (1979), An Amateurs Guide to the Night (1983), and Believe Them (1988). Robison has written for Hollywood and has been a contributor to The New Yorker since 1977. She lives in Gainesville, Florida.