Originally published in Paris in 1929, this collage novel by avant-gardist Max Ernst constitutes a seminal 20th-century work of art. The artists striking combinations of engravings from Victorian-era books and magazines, accompanied by enigmatic captions, offer a universe of mystery replete with all the possibilities of the bizarre dream world of the surreal. Images speak, language illustrates, and the readers imagination provides the glue. n Irrational, violent, tender, ironic, Max Ernst has invoked the whole kaleidoscope of human phenomena in these collages ... [turning them] into stunning proposals for adventure, noted this volumes translator, Dorothea Tanning. The Hundred Headless Woman was the first of Ernsts collage novels, and its classic status ensures a place in modern art history classes. Every visit and re-visit to its pages tells a different story, an endlessly fascinating tale that runs an emotional gamut from keen humor to outright horror. n